Poem Titles in Contemporary Chinese Poetry in their Projection on Russian Poetry

Авторы: Дрейзис Ю.А., Азарова Н.М.
Сборник: Parallel Processes in the Language of Modern and Contemporary Russian and Chinese Poetry
Редакторы: Бочавер Светлана Юрьевна, Дрейзис Юлия Александровна
Год издания: 2019
Место издания: Институт языкознания РАН Москва
Первая страница: 13
Последняя страница: 18
Аннотация: In Chinese poetry, the title appears as part of the mandatory framework of a piece. This is why in modern Chinese poetry, which emerges in the 1920s (and a little earlier) and develops throughout the 20th century, the rejection of the title becomes a notable technique and one of the markers of an avant-garde text. At the same time, most modern Chinese authors still retain the titles – here we can see a significant discrepancy with the Russian-speaking tradition, where there is no tight binding to the need for a title.In the 1980s, apparently under the influence of the European tradition, a peculiar play with the title starts to emerge, and the title ceases to perform an exclusively external function in relation to the text but is involved in the space of a single macrotext.
Добавил в систему: Дрейзис Юлия Александровна

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